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Archive of the category 'History'

Interview for the Radio Show: Fade In/Fade Out, Remixing Culture

At the end of July, I was interviewed  for KulturWelle. Their radio feature titled Fade In/Fade Out, Remixing Culture, which aired on September 3, 2014, presents excerpts of interviews with musicologist Fabian Czolbe, media and communications researcher Steffen Lepa, Ramón Reichert, and, myself, Eduardo Navas.

The feature is literally a remix in German and English of our reflections on the recyclability of culture complemented with music and sound excerpts. Even if one does not understand German, one should listen to the hour long show. It is a true rhetorical soundscape equivalent to a well mixed music recording. Many thanks to Nikita Hock, who first contacted me, and all the producers of the radio show, including  Anastasia Andersson, Bernadette Breyer, Lara Deininger and Angelika Piechotta.

The Steve Reich Remixes

The Steve Reich Remixes consists of  four mashups of  selected tracks of Steve Reich’s Music for 18 Musicians.

I selected tracks from Reich’s original recordings based on their time: 6, 5, 4, or 3 minutes, and matched them to end at the same time. The tracks part of each mix last more than the number which appears in its proper title (after the @) but less than an extra full minute. These remixes are developed based on my previous experimentation with chance in mashups of John Cage’s Compositions for Piano.

Table of Contents for the Routledge Companion to Remix Studies Available

We have now turned in the manuscript of The Routledge Companion to Remix Studies, and can release the Table of Contents. The reader is due for release around December 14, 2014. The TOC is below:

Introduction Eduardo Navas, Owen Gallagher, xtine burrough

Part I: History
1. “Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality” Martin Irvine
2. “A Rhetoric of Remix” Scott H. Church
3. “Good Artists Copy; Great Artists Steal: Reflections on Cut-Copy-Paste Culture” Stefan Sonvilla-Weiss
4. “Toward a Remix Culture: An Existential Perspective” Vito Campanelli
5. “An Oral History of Sampling: From Turntables to Mashups” Kembrew McLeod
6. “Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary Author” Cicero da Silva
7. The Extended Remix: Rhetoric and history Margie Borschke
8. “Culture and Remix: A Theory on Cultural Sublation” Eduardo Navas

Part II: Aesthetics
9. “Remix Strategies in Social Media” Lev Manovich
10. “Remixing Movies and Trailers Before and After the Digital Age” Nicola Maria Dusi
11. “Remixing the Plague of Images: Video Art from Latin America in a Transnational Context” Erandy Vergara
12. “Race & Remix: The Aesthetics of Race in the Visual & Performing Arts” Tashima Thomas
13. “Digital Poetics and Remix Culture: From the Artisanal Image to the Immaterial Image” Monica Tavares
14. “The End of an Aura: Nostalgia, Memory, and the Haunting of Hip-hop” Roy Christopher
15. “Appropriation is Activism” Byron Russell

Part III: Ethics
16. “The Emerging Ethics of Networked Culture” Aram Sinnreich
17. “The Panopticon of Ethical Video Remix Practice” Mette Birk
18. “Cutting Scholarship Together/Apart: Rethinking the Political-Economy of Scholarly Book Publishing” Janneke Adema
19. “Copyright and Fair Use in Remix: From Alarmism to Action” Patricia Aufderheide
20. “I Thought I Made A Vid, But Then You Told Me That I Didn’t: Aesthetics and Boundary Work in the Fan Vidding Community” Katharina Freund
21. “Peeling The Layers of the Onion: Authorship in Mashup and Remix Cultures” John Logie
22. “remixthecontext (a theoretical fiction)” Mark Amerika

Part IV: Politics
23. “A Capital Remix” Rachel O’Dwyer
24. “Remix Practices and Activism: A Semiotic Analysis of Creative Dissent” Paolo Peverini
25. “Political Remix Video as a Vernacular Discourse” Olivia Conti
26. “Locative Media as Remix” Conor McGarrigle
27. “The Politics of John Lennon’s “Imagine”: Contextualizing the Roles of Mashups and New Media in Political Protest” J. Meryl Krieger
28. “Détournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives” Nadine Wanono
29. “The New Polymath (Remixing Knowledge)” Rachel Falconer

Part V: Practice
30. “Crises of Meaning in Communities of Creative Appropriation: A Case Study of the 2010 RE/Mixed Media Festival” Tom Tenney
31. “Of ‘REAPPROPRIATIONS’” Gustavo Romano
32. “Aesthetics of Remix: Networked Interactive Objects and Interface Design” Jonah Brucker-Cohen
33. “Reflections on the Amen Break: A Continued History, an Unsettled Ethics” Nate Harrison
34. “Going Crazy with Remix: A Classroom Study by Practice via Lenz v. Universal” xtine burrough and Dr. Emily Erickson
35. “A Remix Artist and Advocate” Desiree D’Alessandro
36. “Occupy / Band Aid Mashup: ‘Do They Know It’s Christmas?’” Owen Gallagher
37. “Remixing the Remix” Elisa Kreisinger
38. “A Fair(y) Use Tale” Eric Faden
39. “An Aesthetics of Deception in Political Remix Video” Diran Lyons
40. “Radical Remix: Manifestoon” Jesse Drew
41. “In Two Minds” Kevin Atherton

 

Hach & Navasse Improvisation #3, 12-21-99

Hach & Navasse Improvization #3, 12-21-99 by Navasse on Mixcloud

This improvisation by Hach & Navasse was recorded on 12/21/1999. It consists of a series of loops from CDs improvised on two Pioneer CDJ-500IIs, a guitar and synthesizer. It was recorded on a four track analog recorder.

Hach & Navasse (Justin Peloian and Eduardo Navas) was formed during our graduate studies at Cal Arts during the years 1998 – 2000. Justin played guitar and keyboards, and I played loops on the CDJs and Turntables We performed in a series of events and recorded improvisational sessions from 1998 to about 2002 at which time we stopped collaborating and moved our separate ways.

A few months ago I found a digital version of the recording, along with a few other improvisations, which I had in storage. After listening to it a few times I decided that it was worth sharing online, because, with hindsight, I believe there are some decent moments in the thirty plus minutes of this piece. Many thanks to Justin for letting me share our collaboration online.

Track List:

1. Loop: unknown timbal loop by Unknown
2. Loop: E Preciso Perdoar by Cesária Évora, Caetano Veloso, Ryuichi Sakamoto
3. Loop: This City Never Sleeps by Eurythimics
4. Loop: I Waited for You by Dizzy Gillespie
5. Loop: Mind Trips (remix) by Brand New Heavies
6. Sliced Loop P. 1: Ko-wo Ko-wo (on top of “Mind Trips”) by Cachao
7. Loop: Influx by DJ Shadow
8. Sliced Loop P. 2: Ko-wo Ko-wo (on top of “Influx”) by Cachao

Navasse’s DJ Set for Remixed Media Festival IV

Navasse’s DJ Set for Remixed Media Festival IV by Navasse on Mixcloud

This is a recording of a DJ set practice session for a performance which took place at the Remixed Media Festival IV on April 26, 2014 at Culturehub/La Mama, NYC. The recording was done on April 23, 2014, and features all the songs that were mixed live. The improvisational aspects of transitions and remixing of tracks in the recording differs from the live performance as it is in these areas where a DJ takes artistic license to improvise.

Description from the Festival’s website:
Eduardo Navas’s research and writing on remixing as a creative act across culture is founded on his long term interest in DJing as an art form. His DJ set for RE/Mixed Media Festival IV will consist of a mix of early funk tracks, heavy Hip Hop bass samples, and selected reggae and caribbean-influenced beats.

Many thanks to Tom Tenney and Robert Prichard for making the Remixed Media Festival Possible for 4 consecutive years.

Anachronistic DJ set @ RE/Mixed Media Festival IV, NYC

I will be performing a DJ set at this year’s  RE/Mixed Media Festival IV. It’s happening at CultureHub Studio Space, 47 Great Jones St. on April 26, 8:45 PM.  Description form the website:

Eduardo Navas’s research and writing on remixing as a creative act across culture is founded on his long term interest in DJing as an art form. His DJ set for RE/Mixed Media Festival IV will consist of a mix of early funk tracks,  heavy Hip Hop bass samples, and selected reggae and caribbean-influenced beats.

Navasse Drum ‘n’ Bass Revisit Dec 13

Navasse Drum n Bass Remix Dec 13 by Navasse on Mixcloud

A mix revisiting some early Drum ‘n’Bass Anthems. Improvised and recorded on December 15, 2013.

 

The Long Table at Refest at La Mama/Culturehub NYC, November 29, 2013

On Friday January 29, I participated in The Long Table, an open discussion session part of Refest in which about 8 individuals were invited to discuss the state of remix in 2013. The video of the discussion is embedded above. The Long Table was co-curated by Tom Tenney. The event took place at La Mama streamed live and archived online by Culturehub.  I had the pleasure to participate in this event along with Adriano Clemente, David CommanderFabian Saucedo, Jennifer Weber, and DJ Spooky, among others. The discussion began with the copyright dispute over the song “Girls” between GoldieBlox and The Beastie Boys. It moved from there to other aspects of remix. Refest took place at La Mama from November 29 – December 1, and also featured a performance by DJ Spooky which took place on November 30. The video of the performance is embedded below. Many thanks to Tom Tenney for inviting me to participate, a special thanks to the entire staff at La Mama and Culturehub, who do an amazing job at producing high quality events.

Watch live streaming video from culturehubnyc at livestream.com

Three Junctures of Remix Catalog Available

The catalog for the exhibition Three Junctures of Remix, which took place from January 17 to March 15, 2013  is now available for download as a PDF. I would like to thank the entire gallery staff and committee members for making the exhibition possible, especially Trish Stone, Jordan Crandall, Hector Bracho, Doug Ramsey, and Scott Blair. I especially thank the artists Arcangel Constantini, Mark Amerika  & Chad Mossholder, Giselle Beiguelman, and Elisa Kreisinger,  who participated in the exhibition, and were generous in providing interviews now published in the catalog.

–Eduardo Navas

John Cage 3 Compositions for Piano @ 5 (Remix)

John Cage 3 Compositions for Piano @ 5 (Remix) is a mashup of three compositions that last around 5 minutes. After listening to the compositions over the years, I realized that a mashup of the three recordings would follow the principles of chance as promoted by Cage.  The compositions mashed include:

1) Music for Piano 2: 5:21
2) Roots of Unfocus: 5:01
3) Music for Marcel Duchamp: 5:20

This mashup is part of an ongoing series of remixes of John Cage piano compositions.

The recordings were performed by Steffen Schleiermacher, and released in John Cage Complete Piano Music Volume1 & 2, 1998.

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