The Steve Reich Remixes, released in the month of August 2014
The John Cage Remixes, Released in the Month of September 2013
Blog Remixes, (2004 – Present):
Diary of a Star | Traceblog | Minima Moralia Redux
Since 2004 I have been using the blog as an art medium. My practice is directly informed by my research on Remix. Above is a link to three blogs that put into practice what I define as the selective remix.
Research on Remix and Cultural Analytics: Three Case Studies on Youtube Video Mashups
2010-12 Post-doctoral research for The Department of Information Science and Media Studies at the University of Bergen, Norway.
A VIDEO PROJECT BY EDUARDO NAVAS
[Re]Cuts was specifically developed for an exhibition at IMT Gallery in London, inspired by Burroughs’s experimentation with tape recordings. The exhibit takes place in May 2010. I thank Mark Jackson for the invitation and the opportunity to exhibit my work.
[Re]Cuts is a remix of image, sound, and text inspired by William Burroughs’s aesthetics of tape recording. The video is also influenced by his cut-up method as defined for writing in “The Cut-Up Method of Brion Gysin.” The video does not follow the strict cup-up rules professed by Burroughs, but rather considers his aesthetics as a point of reference to develop a non-sensical narrative.
The following is a presentation separated into two parts; it was produced for the conference Re*-Recycling_Sampling_Jamming, which took place in Berlin during February 2009.
Part One (above) introduces the three chronological stages of Remix, while part two (below) defines how the three chronological stages are linked to the concept of Authorship, as defined by Roland Barthes and Michel Foucault. Also see my previous entry “The Author Function in Remix” which is a written excerpt of the theory proposed in part two.
Last.FM Music Playlist. I no longer use Last FM, but make my playlist available for anyone interested:
With the support of CRCA at Cal-IT2 and my research in the Art And Art History Program at UCSD, I conceptualized a series of projects exploring (but not limited to) the creative possibilities of video and sound with emerging technologies such as 4K.
Concept visualization: Each image on the tiled screen represents a separate stream from a distant location.
Currently working with Vectors Journal to develop an online theoretical project focusing on Remix and Noise, to be released in 2008 for their issue titled Noise (vol. 4 no. 2).
This section offers information and links to diverse activities and collaborations that support my research in Remix.
Vectors Fellowship Conference
Institute for Multimedia Literacy
University of Southern California
Organized by Vectors Journal
June 18-22, 2007
Presentation: “Noise.Remix: The Dialectics of Representation and Repetition.”
AAAARG.ORG presents a conversation around the theme of latency, with Eduardo Navas. Texts to be discussed can be found online at http://aaaarg.org/category/latency
Exhibition curated at Telic Arts Exchange in Los Angeles:
Latency of the Moving Image in New Media
Curated by Eduardo Navas
May 25, 2007 to June 16, 2007
Telic Arts Exchange
975 Chung King Road
Los Angeles, California 90012
Presentations Organized at Cal-IT2 with the support of CRCA:
TROYANO Collective presents their publication Art and Digital Culture
Tuesday, May 29, 2007
The Chilean Collective TROYANO presented their recent bilingual publication, Art and Digital Culture, at CRCA on UCSD campus, on Tuesday, May 29th 4-7 PM in the Main Auditorium in Atkinson Hall.
Cal-IT2 stream in realplayer:
Digital Culture(s) – Ine Poppe
Thursday, May 03, 2007
Ine Poppe will present some of her latest research in digital culture which includes working on a novel about three women sharing a humanoid (about robotics, artificial intelligence, sex and ‘wet artÂ¹). She will discuss her involvement with the hacker community in Amsterdam, and screen part of her film ‘Hippies from Hell’, which documents the history of Hackers.
Cal-IT2 stream in Realplayer:
The following is a list of Seminar presentations about Remix during 2006:
MLAC – Museo Laboratorio di Arte Contemporanea UniversitÃ “La Sapienza”
Piazzale Aldo Moro 5, 00185. Rome, Italy. December 19, 2006.
Invited Speaker. Lecture: â€œNet(work) Art: Criticizing, producing and curating.â€
A five day seminar about Remix took place at
Cultural Center of Spain in Buenos Aires
Buenos Aires, Argentina
Presented on June 17 – 22, 2006
One day presentations of this seminar took place at the following places:
Nieuwmarkt 4 1012CR
Wanneer: June 29 2006
Humberto Primo 756
August 10, 2006
Conference Updating Art and Technology
organized by the Troyano Collective
Centro Cultura de EspaÃ±a en Santiago de Chile
August 19, 2006
Part of my theory was presented in relation to my online art practice at
Berliner Technische Kunstschule (BTK)
June 22, 2006