About | Remix Defined | The Book | Texts | Projects | Travels/Exhibits | Remixes/Lists| Twitter

Archive of the category 'Film'

Routledge Companion to Remix Studies Now Available

I just received in the mail a hardbound copy of The Routledge Companion to Remix Studies. It’s been such a long process. Editing 41 chapters has been quite an endeavor, but a good one. I would like to thank my co-editors, xtine Burrough and Owen Gallagher, who are just amazing collaborators. This book could not have been published on time had it not been for our mutual diligence in meeting deadlines. I also want to thank the contributors who were just amazing during the long editing process (for a full list of authors see the dedicated site for the book: Remix Studies).

I really hope that researchers, academics and remixers find the anthology worth perusing.

More information on the book:

Routledge: http://www.routledge.com/books/details/9780415716253/

Amazon: http://www.amazon.com/Routledge-Companion-Remix-Studies-Companions/dp/041571625X

 

Analysis of the Films In Cold Blood, Capote, and their Corresponding Novel and Biography

InColdBloodCapote

Figure 1: selected shots from Capote (left) and In Cold Blood (right).

Interdisciplinary Digital Media Studio is a class in the IDS program in The School of Visual Arts (SoVA) at Penn State in which students are introduced to methodologies and conceptual approaches of media design. For the class, I taught them how to research and develop design presentations with the implementation of data analytics for moving images and texts.

One of the assignments consisted in analyzing the films Capote (2005) directed by Bennett Miller and In Cold Blood (1967) directed by Richard Brooks in relation to their corresponding books, Capote by Gerald Clarke and In Cold Blood by Truman Capote. We viewed the films in class, and read, both, the novel and the biography. The class then analyzed the respective books by doing word searches, analysis of specific passages, and creative approaches by the respective authors, to then evaluate those searches in relation to the films.  For the films I provided montage visualizations, which are selected screen shots representative of all the scenes (figures 2 and 3).

Read the complete entry at Remix Data

Timeline of Pulp Fiction: Actual Version and Chronological Edit, by Eduardo Navas

PulpThumbOf4

Figure 1: four shots from around a third into the film. Left is original edit, Right is chronological edit

During the Fall of 2013, I analyzed Pulp Fiction with my students in my Video Art Class for the School of Visual Arts at Penn State. One of their assignments was to produce  a video and then re-edit it to tell the same story but in different order, and therefore explore how aesthetics play a role in experiencing a narrative.   We went over a few examples that would give them ideas, some of the links I provided as resources included Pulp Fiction and Memento.

Read the full analysis on remix data.

Hip-Hop to Dubstep: International Music Styles and the Remix, Part 4 of 7

Above: “Pump Up the Volume – Part 1, The History of House Music”, included in the resource selections below.

List of online resources and music selection for week 4 of Hip-Hop to Dubstep, taught during the summer of 2013 at The New School’s  Media Studies, Department of Communication. I will be releasing brief notes based on my class lectures in the near future. If interested in looking at the actual class webpage with all the weekly selections at once, feel free to peruse this link: http://navasse.net/NS/NCOM3039A/. My notes will not be available on the class webpage, only on each corresponding entry here on Remix Theory. Please note that links may become broken. If and when this happens, the best thing to do is to search for the source by name. And do let me know if anything is broken and I will look into it.

View:
Part 1
Part 2
Part 3

Week 4
Hip-Hop/House Music/Techno
June 24 – 28, 2013

Music Selection and Relevant Links:

Modulations – History Of Electronic Dance Music Documentary
http://www.youtube.com/watch?v=cveYosINMQM

Pump Up The Volume – Part 1 – The History Of House Music
http://www.youtube.com/watch?v=qcpWFiriv3w
Pump Up The Volume – Part 2 – The History Of House Music
http://www.youtube.com/watch?v=dtSmjnumwew
Pump Up The Volume – The History Of House Music Documentary PT 3:
http://www.youtube.com/watch?v=DxVNW5Fh0g8

Rave – BBC house music documentary from 1992 [1/3]:
http://www.youtube.com/watch?v=MaLSZy8AfSw
Rave – BBC house music documentary from 1992 [2/3]
http://www.youtube.com/watch?v=yuf8dwxdhZ8
Rave – BBC house music documentary from 1992 [3/3]:
http://www.youtube.com/watch?v=mDUpxze2II4

Krautrock – The Rebirth of Germany (BBC Documentary) – Full Version
http://www.youtube.com/watch?v=cHUwkYkn_kA

 

Hip Hop Music Selection:

LA Dreamteam – “Rockberry Jam” (1985)
http://www.youtube.com/watch?v=gDd3N_uGlKo

Rock Master Scott And The Dynamic Three – “The Roof Is On Fire” (1984)
http://www.youtube.com/watch?v=RlAUAIFo7CM

Beastie Boys - License to Ill (1986)
http://www.youtube.com/watch?v=kYMSa5PoRK8&list=
PL25B9AE950D56705F

Erik B and Rakim - Paid in Full (Album, 1987)
http://www.youtube.com/watch?v=o8Ot0jDQpYY
ErikB and Rakim – “Paid in Full” (Remix)
http://www.youtube.com/watch?v=E7t8eoA_1jQ
Sample sources for bass-line and drums:
Dennis Edwards – “Don’t Look Any Further”
http://www.youtube.com/watch?v=CH3rx8LhrQo
Soul Searchers – “Ashley’s Roach Clip” (break happens around 3:35)
http://www.youtube.com/watch?v=1XNr06zoKYg

LL Cool J – “Going Back to Cali” (1988)
http://www.youtube.com/watch?v=FdizL4on-Rc
LL Cool J – “Illegal Search” (1990)
http://www.youtube.com/watch?v=_nnb-TL-5oY

EPMD – “You Gots to Chill” (1988)
http://www.youtube.com/watch?v=JUGisre9xNU
Sample taken from Zapp & Roger’s “Bounce to the Ounce”
http://www.youtube.com/watch?v=lK6wOG_aDl8

Boogie Down Productions (KRS-One) (1989)
http://www.youtube.com/watch?v=Y4LAb777Dtg

Ice Cube – AmeriKKKa’s Most Wanted (Album, 1990)
http://www.youtube.com/watch?v=kOhkBOsXoB0

Public Enemy “Night of the Living Baseheads” (1988)
http://www.youtube.com/watch?v=fyR09SP9qdA

A Tribe Called Quest - The Lowend Theory (1991)
http://www.youtube.com/watch?v=bEuZWegc34w
A Tribe Called Quest - Midnight Marauders (1993)
http://www.youtube.com/watch?v=dmaBXE17S00

Wu – Tang Clan - Enter The Wu. Tang – 36 Chambers (Full Album, 1993)
http://www.youtube.com/watch?v=BuZVbShtNeU

Dre Dre - The Chronic (Album, 1992)
http://www.youtube.com/watch?v=hhOXih3EhF4

2pac - 2Pacalypse Now (Album, 1991)
http://www.youtube.com/watch?v=l0wqYeC2J5k

2pac – “Changes” (1992, remixed and released in 1998)
http://www.youtube.com/watch?v=nay31hvEvrY
Samples from Bruce Hornsby and the Range – “The Way It Is” (1986)
http://www.youtube.com/watch?v=cOeKidp-iWo

Nas sampled 2Pac’s “Changes” for his song “Black President” (1998)
http://www.youtube.com/watch?v=YxdW5ImUy1s

Notorious Big - Ready To Die (Full Album, 1994)
http://www.youtube.com/watch?v=x4moqaKUwbY
Biggie Smalls – “One More Chance”
http://www.youtube.com/watch?v=SNynDNPQR0g
Biggie Smalls – “One More Chance Remix” (1995)
http://www.youtube.com/watch?v=132OAFRqoFI
Remix samples from Debarge’s 1993 song “Stay with Me” (sample starts around 2:36)
http://www.youtube.com/watch?v=Jc4X7tLYqNs

 

House Music Selection (early house):

Anita Ward – “Ring my Bell” (1979)
http://www.youtube.com/watch?v=URAqnM1PP5E

Skatt Brothers – “Walk the Night” (1979)
http://www.youtube.com/watch?v=6Q3PkEjKMLc
Extended remix:
http://www.youtube.com/watch?v=OTH1dW3_E1Y

The Salsoul Orchestra. “Ooh, I Love It (Love Break)”. 12″ Original Remix Shep Pettibone. (1982)
http://www.youtube.com/watch?v=HkDmbJegNpw
Short version (break mix):
http://www.youtube.com/watch?v=ynSP04nUThk
(Note that in the above mixes you can already hear the drum arrangement that Frankie Bones would come to perfect with drum machines.)

First Choice- “Let No Man Put Asunder” (1983)
http://www.youtube.com/watch?v=QKOY6xpir90

 

House Music Selection (house proper):

Chip E. – “Time to Jack” (1986)
http://www.youtube.com/watch?v=4cUpalmjMZ0

On The House – “Move Your Body” (1986)
http://www.youtube.com/watch?v=enyh56-Q_Cs
(First record to use a piano in house music. Became a house anthem because it uses the word “house” in the lyrics)

Mr. Fingers (Larry Heard) – “Can You Feel it?” (1986)
http://www.youtube.com/watch?v=UeiH9Mm0E5Y

Farley Jackmaster Funk – Jack’n The House (1987)
http://www.youtube.com/watch?v=xZFw2aLFX0E

Ralphi Rosario – You Used To Hold Me (1987)
http://www.youtube.com/watch?v=ZCVP8-2-DzQ

Phuture – “Acid Trax” (1987)
http://www.youtube.com/watch?v=OKbLI8EufNo

Raze – “Break for Love” (1988)
http://www.youtube.com/watch?v=axvKAXi8N8M

“Work it to the Bone” (1988)
http://www.youtube.com/watch?v=gg-CPoLKnDo

Jungle Brothers – “I’ll House You” (1989)
http://www.youtube.com/watch?v=AFGhQSiGHWM
(The above crosses over to what came to be called “hip-house.” Some house purists did not like rap combined with house. Often times only the dub or instrumental versions of this record was remixed on the dancefloor.) One of various intrumental versions that were released:
“Richie Rich Instrumental”
http://www.youtube.com/watch?v=K0k1qLGVjsM

Ten City – That’s The Way Love Is (Underground Mix, 1989)
http://www.youtube.com/watch?v=99jHPfkZX3Y

 

Techno Selection:

Cibotron, “Clear” (1983)
http://www.youtube.com/watch?v=fGqiBFqWCTU
“Clear” Frankie Bones (founder of House music) Remix:
http://www.youtube.com/watch?v=kkrk5Gzo_2A
Also listed under electro-Funk for Week 3
Cibotron, “Cosmic Cars” (1983)
http://www.youtube.com/watch?v=aOBUqCIXXWY

Model 500 “No UFOs” (1985)
http://www.youtube.com/watch?v=KNz01ty-kTQ

Derrick May – “Nude Photo” (1987)
http://www.youtube.com/watch?v=xIx32rZdENM
(2004 Remix)
http://www.youtube.com/watch?v=I7HiL2m63pQ

Derrick May – “Rhythim Is Rhythim” – Strings of Life (Original Mix, 1987)
http://www.youtube.com/watch?v=qiCEGXGm-z0

Inner City – “The Good Life” (1988)
http://www.youtube.com/watch?v=iUwfOOdg4eE
Inner City – “Big Fun” (1988)
http://www.youtube.com/watch?v=omfiVkkJ1OU
Inner City is a crossover act, and is not necessarily considered a techno group, even though Kevin Saunderson is one of the three founders of Techno in Detroit. The songs by Inner City were also mixed with Freestyle and some Electro-Funk, depending on the club.

Joey Beltram – “Energy Flash” (1990)
http://www.youtube.com/watch?v=ALsHox5sYCk
Considered a pivotal track in defining the sound of techno particulary in Europe. It is one of the compositions that also opened the door for the aesthetics of trance. Beltram considered his composition to be part of house music, but it eventually became labeled as techno in Europe for selling purposes.

Aphex Twin – Didgeridoo (1992)
http://www.youtube.com/watch?v=S5UBYOv1G9A

Carl Cox – “The Player” (1996)
http://www.youtube.com/watch?v=dXlgIpcjfxs

Jeff Mills – Metropolis (Full Length, 2001)
Inspired by the film Metropolis
http://www.youtube.com/watch?v=H4V7lSNezJs&list=PL45E81DDD3837F6B1

Richie Hawtin – “DE9 | Closer To The Edit” (2001, full-length)
http://www.youtube.com/watch?v=4MSymIy9eCY

Juan Atkins – “Flash Flood” (2012)
http://www.youtube.com/watch?v=DJ8fszlzX-Q

Hip-Hop to Dubstep: International Music Styles and the Remix, Part 2 of 7

Above: Skatalites Authentic, included in music selections below.

List of online resources and music selection for week 2 of Hip-Hop to Dubstep, taught during the summer of 2013 at The New School’s  Media Studies, Department of Communication. I will be releasing brief notes based on my class lectures in the near future. If interested in looking at the actual class webpage with all the weekly selections at once, feel free to peruse this link: http://navasse.net/NS/NCOM3039A/. My notes will not be available on the class webpage, only on each corresponding entry here on Remix Theory. Please note that links may become broken. If and when this happens, the best thing to do is to search for the source by name. And do let me know if anything is broken and I will look into it.

View:  Part 1

Week 2
June 10-14, 2013
Dub Music/Hip-Hop

Music selection and relevant links:

Links used to contextualize why everything is not a remix, but why the concept of remixing has become popular to discuss recycling of material in forms beyond music:

Everything is a Remix, Part 1
http://vimeo.com/14912890
Everything is a Remix, Part 2
http://vimeo.com/19447662

 

Historical resources:

History of Jamaican Music Pt 1
(Discusses ska and rock steady)
http://www.youtube.com/watch?v=C4J4P6ozT0g
BBC Reggae The Story of Jamaican Music Programme 2 Rebel Music
(Discusses reggae and briefly dub)
http://www.youtube.com/watch?v=WvycRljrAH4
BBC Reggae The Story of Jamaican Music Programme 3 As Raw As Ever
(Internationalization of Jamaican music)
http://www.youtube.com/watch?v=AnBCnX_Hctk

Dub Stories (full documentary): View the first half. The second half of the documentary is about Dub in France :
http://www.youtube.com/watch?v=D6Eet-sm8Yw

Deep Soul The Up Rising Of Motown Part 1
http://www.youtube.com/watch?v=wkd1c4T5HiE
Deep Soul The Up Rising Of Motown Part 2
http://www.youtube.com/watch?v=Xe9NGrEJQEE
Deep Soul The Up Rising Of Otis Redding Part 3
http://www.youtube.com/watch?v=NXGallmBcTA
Deep Soul The Up Rising Of Otis Redding Part 4
http://www.youtube.com/watch?v=8jFXR6o639g

 

Music Selection from Jamaica, 1960s:

Ska:

Ernest Ranglin, “Liquidation”
http://www.youtube.com/watch?v=jJ_iZ9iBYBM

Skatalites – Ska Authentic (Album, 1964)
http://www.youtube.com/watch?v=K4kH8PvwDyM&list=
PL0A7039D867DDDA2A

Skatalites – Simmer down (1964)
http://www.youtube.com/watch?v=O9HyXc4e7Qc
Youtube’s Music Selection of Skatalites and Ska:
http://www.youtube.com/watch?v=OwPLeczyhKg&list=RD02O9HyXc4e7Qc

Rock Steady:

John Holt & The Paragons – “I’ve Got To Get Away” (1968)
http://www.youtube.com/watch?v=kRDILYQqUkM
YouTube’s Music Selection of The Paragons:
http://www.youtube.com/watch?v=ECwMLVUt67c&list=
PL22729AAD8001A0B9

The Melodians – “You Don’t Need Me” (1968)
http://www.youtube.com/watch?v=uHe3owGT7iw

Studio 1 recordings:
http://www.youtube.com/watch?v=_fCJEmh0G1g&list=RD02uHe3owGT7iw

Reggae (See England)

Dub (mainly 1970s):

Lee Perry and King Jammy – “Rude Boy”
http://www.youtube.com/watch?v=Y87id6TGopc

King Tubby & Augustus Pablo – “Ruler Fi Dub”
http://www.youtube.com/watch?v=hIhaL04aJpI&noredirect=1
YouTube’s Music Selection of King Tubby:
http://www.youtube.com/watch?v=ZvYSYOKFCbk&list=RD025iQxCG1c39I

YouTube Music Selection of Mad Professor:
http://www.youtube.com/watch?v=BU75iSYyphY&list=RD02ctnz-GciFQ0

 

Music Selection from England, 1960s/70s:

Reggae (recordings took place in England, or were made popular internationally through England, with close ties to Jamaica):

Jimmy Cliff, “The Harder They Come”
http://www.youtube.com/watch?v=xGE4dnrPPZQ
Jimmy Cliff & others, YouTube’s Selection:
http://www.youtube.com/watch?v=18EAqHx2lMk&list=RD02ixBo3niO_Do

Bob Marley - Catch a Fire (First Album, 1973):
http://www.youtube.com/watch?v=bDadSKdegBo&list=PL9BDE49614C503F66
YouTube Music Selection of Bob Marley:
http://www.youtube.com/watch?v=us7hfASz0g4&list=RD026QC_ZMWTxJU

Bob & Marcia – “Young, Gifted and Black”
http://www.youtube.com/watch?v=ubDVUQon5BE
Bob & Marcia – “Really Together”
http://www.youtube.com/watch?v=mi6LDdBdvzo

 

Music Selection from the United States, 1960s-70s:

The Supremes “Baby Love” (1964)
http://www.youtube.com/watch?v=23UkIkwy5ZM

Marvin Gaye – “Easy Living” (1964)
http://www.youtube.com/watch?v=SzyeHRQdTHQ
YouTube Music Selection of Marvin Gaye:
http://www.youtube.com/watch?v=ARWFDoADlqk&list=RD02SzyeHRQdTHQ

James Brown – “The Payback” (1973)
http://www.youtube.com/watch?v=IST6qRfVqwY

Motown Music Selection:
http://www.youtube.com/watch?v=VTe06PrXwo4&list=RD02–jWPzNNdN4

 

(Looking ahead to week 3)
How concepts of Dub and the selector & MC/Deejay were popularly introduced in pop music:

Chic – “Good Times” (1979)
http://www.youtube.com/watch?v=8g6bUe5MDRo

Sugarhill Gang – “Rapper’s Delight” (1979)
http://www.youtube.com/watch?v=diiL9bqvalo

The Framework of Culture: Remix in Music, Art, and Literature, by Eduardo Navas

Image: The four diagrams of The Framework of Culture. Each is discussed below.

Note: This text was commissioned for the exhibition Reuse Aloud, taking place at the NewBridge Project Space, Newcastle, England; and broadcasting 24 hours a day on basic.fm throughout March, 2013. Many thanks to the curators Will Strong and Rosanna Skett for commissioning the text.  A recorded version is also part of the exhibition.

An earlier version of this text was presented as my keynote speech for Remixed Media Festival in NYC.  In that occassion I only focused on literature. The version for Reuse Aloud was revised to include art and music as well. My thanks to Tom Tenney, director of the NYC festival for giving me the opportunity to test my ideas in front of a very receptive audience.

This text can also be downloaded as a PDF, which is friendlier for print, or for reading on tablets: NavasFrameNC_Web

Introduction

We live in a time when the self-awareness of recycling of material and immaterial things is almost taken for granted. I state almost because, as the following analysis demonstrates, the potential of recycling as a creative act in what we refer to as remix is in constant friction with cultural production. Consequently, the purpose of this essay is to demonstrate the importance of remix as a practice worthy of proper recognition exactly because of its ability to challenge the mainstream’s ambivalent acceptance of aesthetic and critical production that relies on strategies of appropriation, recycling, and recontextualization of material.

Proper recognition is only worthy when it is an attestation of a particular achievement, which can only come about through struggle. Arguably a type of struggle that is certainly recognized and even celebrated quite often, (which admittedly makes for romantic narratives) is the basic human struggle: the will to live. We can think of struggle here as a term spanning across all types of activities, from war to natural disasters—many which are now commonly shared all over the world.

But to begin with a more basic premise, struggle in its most abstract form can simply consist of reflecting on the pain of self-awareness; of having the burden of knowing that we just exist and, for the most part, will do anything to make sure that we will exist for as long as possible. Many of us are willing to find ways to extend our lives before we take our last breath. Others, admittedly, will struggle to leave this world as soon as possible; thus, it may be suicide the subject of struggle in such cases. But this brief reflection on struggle as a humanistic preoccupation is mentioned because we diligently have extended it to everything we produce. It is an important ingredient in what we may call progress.  As romantic as it may sound, human beings have the tendency to struggle in order to be better; whatever that means. And as we have grown as a complex global society, we have been able to extend our struggle on to and through media.

(more…)

Images from the Exhibition Three Junctures of Remix

Image from Cali2′s Flickr stream. From left to right: Mark Amerika, Giselle Beiguelman, Elisa Kreisinger, Arcangel Constantini, Trish Stone, and Eduardo Navas

The opening at Calit2 on January 17 was a complete success.  Many thanks to Jordan Crandall and the gallery committee for their support in the realization of the exhibition. A special thanks to Trish Stone and Hector Bracho and the entire Calit2 team for all their help.  It was truly a great experience.  The discussion panel, which took place just an hour before the official opening will be online very soon, in the meantime I want to point out that there are lots of great pictures on Flickr for anyone interested to view.

More Soon,

Eduardo

Not a Remix–Nor a Sampling: Why Fareed Zakaria’s Plagiarism is Unacceptable

Image: Huffpost

By Eduardo Navas

Note: This entry was updated on August 19, 2012 with an extra commentary at the end of the main text.

As an educator in higher education and researcher specializing in remix culture and authorship, when I first learned about Zakaria’s admission to plagiarism, I was very disappointed in him, and thought that there was no way around it, that his admission of plagiarizing parts of Jill Lepore‘s work on gun control written for the New Yorker puts into question his intellectual integrity.

I thought that his apology was quick and to the point, but that somehow it was not enough. I thought that it was necessary for Zakaria to come forward and explain in as much detail as possible the reasoning for his behavior. And I thought that I wasn’t alone in hoping for this to happen–that if an actual explanation was delivered, it would all serve the constructive purpose of discussing the seriousness of plagiarism with students while providing a concrete example of a public intellectual who committed such an unacceptable act.

I thought that Zakaria should give an extensive explanation, first, simply because he owed it to his audience and readers, who have come to respect his work at CNN, Time and The Washington Post; and second because it would inform, and therefore become, admittedly, an unusual contribution to the debates on intellectual property during a period when younger generations are prone to plagiarize due to the easiness of copying and pasting.

(more…)

Support RE/Mixed Media Fest

The RE/Mixed Media Festival, now in it’s 3rd year, is an annual celebration of collaborative art-making and creative appropriation. It’s the artists’ contribution to the ongoing conversation about remixing, mashups, copyright law, fair use, and the freedom of artists to access their culture in order to add to and build upon it.

The festival – which this year will take place at the Brooklyn Lyceum – a 3-floor 10,000 sq. ft. venue on the border of the Park Slope and Gowanus neighborhoods of Brooklyn – will feature performances, panel discussions, live musical collaborations, hip-hop, sampling, film & video, DIY, food and drink, DJs, technology, interactive installations, painting, sculpture, software, hacking, and much more!

Read more at KickStarter and Remixedmedia.org

Research on Remix and Cultural Analytics, Part 5

Image: evaluating sliced visualizations of The Charleston Style remixes at the Vroom at Calit2. View larger image. View other Vroom images by cultvis on Flickr.

In previous posts I discussed how I used cultural analytics to examine video mashups. (See part 1 on the Charleston Mix, part 2 on Radiohead’s Lotus Flower, and part 3 on the Downfall parodies, and part 4, on sliced visualizations of all three case studies.) One thing that is difficult in this process is to view all images at once in order to make the observations that I have discussed so far.  This is when a large tiled screen is useful, such as the one available at the Vroom at Calit2, where the Software Studies Lab in San Diego is  based. Below are images that give an idea of how the large screen is useful to evaluate various images at once.

Image: wide view, 32 tiled-screen at the Vroom, Calit2. See larger image.

This image shows the thirty montage grid visualizations of my second case study, The Lotus Flower Parodies. The advantage in this case is that all thirty videos can be examined at once.  This is something that is impossible on a regular laptop or a large computer screen. Being able to compare images in large scale is not only useful to come up with detailed analysis, but also provides the ability to discuss one’s research with other colleagues.

Image: Tracy Cornish, a researcher at CRCA, points out a detail to a colleague of my Lotus Flower remixes grid visualization. See larger image.

Image: Detailed visualization of Thom Yorke Does the Macarena! See larger image.

Image: Sliced images of Lotus Flower remixes on top of montage grid visualizations. (See part 3 and part 4 my analysis for more on sliced images.)

One of the advantages of the tiled screen, in addition to viewing many images at once and in great detail, is the fact that the files don’t appear inside windows as they would on an average computer.  As the image above makes obvious, you can lay images next to each other, and on top of others, with no frame around them.  While this feature might appear not so important when first considered, I found that it provided me with a sense of immediacy.

Image: Todd Margolis, Technical Director at CRCA, examines grid-montage and sliced image visualizations of Lotus Flower Parodies. See larger image.

Image: alternate view of grid-montage and sliced image visualizations of Lotus Flower Parodies. See larger image.

Image: Todd Margolis, Technical Director at CRCA, examines grid-montage and sliced image visualizations of Lotus Flower Parodies. See larger image.

Image: detail of grid-montage visualization of Charleston Style remixes. See larger image.

Detail of sliced visualization of Downfall parodies. See larger image.

Image: sliced visuazlizations of the three case studies on top of Lev Manovich’s and Jeremy Douglass’s Time Magazine covers. See larger image.

Image: detail of Lev Manovich’s and Jeremy Douglass’s Time Magazine covers. See larger image.

Going back to my initial point, when considering a large amount of images, such as all Time Magazine covers,  it becomes evident how being able to view several images at once becomes an important part of visualization.

Image: alternate view of Lev Manovich’s and Jeremy Douglass’s Time Magazine covers. See larger image.

Current Projects