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Archive by January, 2012

Upcoming Book, Remix Theory: The Aesthetics of Sampling

Image: Preliminary cover design and logo for upcoming book by Ludmil Trenkov.

I am very happy to announce that my book Remix Theory: The Aesthetics of Sampling is scheduled to be published later on this year, by Springer Wien New York Press.  If all goes according to schedule, it should be available no later than this Fall.  The book offers an in-depth analysis on Remix as a form of discourse.  To get a sense of what to expect, you can read my previously published text, “Regressive and Reflexive Mashups in Sampling Culture,” also available through Springer: http://www.springerlink.com/content/r7r28443320k6012/. You can read my online version as well, though I encourage you to support the publishing company by downloading the official version.

I will offer more information about the book in the near future, such as the table of content, and excerpts from the text. For now I wanted to share the promotional abstract:

Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and ‘80s in relation to art and media at the beginning of the twenty-first Century. Navas argues that Remix is a type of binder, a cultural glue—a virus—that informs and supports contemporary culture.

Write to Your Congress Representative about SOPA

In an effort to create awareness of the repercussions that SOPA would bring to the innovation of online exchange, Wikipedia has blocked its service for 24 hours.  In turn, they have provided a very useful tool to find out who is one’s representative if residing in the United States.  Wikipedia is doing this along with WordPress,  Reddit, and Mozilla. Log on to Wikipedia and you will be taken directly to the proper page for further action.  Their views on SOPA are reposted below:

Call your elected officials.

Tell them you are their constituent, and you oppose SOPA and PIPA.

Why?

SOPA and PIPA would put the burden on website owners to police user-contributed material and call for the unnecessary blocking of entire sites. Small sites won’t have sufficient resources to defend themselves. Big media companies may seek to cut off funding sources for their foreign competitors, even if copyright isn’t being infringed. Foreign sites will be blacklisted, which means they won’t show up in major search engines. SOPA and PIPA would build a framework for future restrictions and suppression.

In a world in which politicians regulate the Internet based on the influence of big money, Wikipedia — and sites like it — cannot survive.

Congress says it’s trying to protect the rights of copyright owners, but the “cure” that SOPA and PIPA represent is worse than the disease. SOPA and PIPA are not the answer: they would fatally damage the free and open Internet.

Listen to the Loop: filtering hand-picked tunes

Listentotheloop.com is a blog run by Christine Chatz.  I had the pleasure of meeting Christine over the holiday break, this past December, in San Diego, California.  She treats her blog as a type of curatorial venue where she “hand-picks” music artists much like a DJ would during a radio show.  My favorite posts are the ones called “Throwback Thursdays,” in which she usually features a historical figure that may have been overseen in music history.  Below is her snippet on the role Betty Davis (image above) played in the lives of Miles Davis,  Jimi Hendrix, and Sly Stone:

Raunchy, gritty, and hugely influential, Betty Davis remains unsurpassed as the queen of funk. At the time of her debut in 1973, she was attacked by critics for her “obscene” demeanor. Davis refused to tone it down, reveling in the emotions that fueled the vigor behind her “woman on the prowl” lyrics. During her marriage to Miles Davis, she introduced both Jimi Hendrix and Sly Stone to the jazz great, inadvertently laying the groundwork for the production of the legendary record Bitches Brew.

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