Image source: Open Reflections
Janneke Adema has taken the time to analyze selected texts available on Remix Theory. She connects my theories of Remix to the future of the book. Adema also discusses the theories of Lev Manovich in terms of Remixability.
Here are excerpts of the articles:
In the first part of New Visions for the Book, I described how the concept of the book is being used as a strategic power tool to argue for a certain knowledge system. I tried to show how within this discourse certain essentialist notions—such as authorship, stability, and authority—still hold a lot of prestige and are hard to discard. In the subsequent parts of New Visions for the Book I therefore want to take a few expeditions outside the world of the scholarly book to look at the way other disciplines and other media have struggled with or have come to terms with the above mentioned notions. I want to start with looking at the concept of remix, engaged with mostly in music and art theory but increasingly a concept applied to describe and analyse culture at large. Here I want to focus on two thinkers who have extensively theorized remix: Eduardo Navas and Lev Manovich. After taking an in depth look at Navas work on remix first, I will explore Manovich’s thoughts on the subject in the next post, contrasting it with Navas’s ideas. Finally, I will explore what the consequences of their thoughts and their analysis of remix are for the scholarly book, the knowledge order it stands for and the concepts it reifies.