This is a 40-minute MP3 of a British radio broadcast called “DJ Food – Raiding the 20th Century” that attempted to sum up the entire cut-up/remix/mash up music movement. It’s lots of crazy, whacky, jarring, harmonious, tricksy, and serendipitous sound, and it made me laugh and think. The landing page for the MP3 has an exhaustive list of the samples employed.
Dance Dance Revolutionary! is an arts initiative that aims to share information about radical activism through fun, participatory events. The project includes various platforms inspired by the lives of Angela Davis and Emma Goldman, two important figures in U.S. history.
As part of its ongoing activities, Dance Dance Revolutionary! hosted a re-mix contest. The objective was to creatively re-assemble songs written by the Rolling Stones and John Lennon/Yoko Ono about activist Angela Davis around the time that she was acquitted of federal murder charges in 1972.
1. “Help Me Help Me” – AllThatFall
2. “If You Make Your Bed in Heaven” – Roddy Schrock
3. “Leftover Secrets to Tell” – Pocka
4. “Secret Life Remix” – Stephane Leonard
5. “The Black Isle (Byrne/Eno Remix)” – (dj) morsanek
6. “Hit Me Somebody (Help Me Somebody Remix)” – MrBiggs
7. “Being and Nothingness (A Secret Life Remixed)” – john kannenberg
8. “Somebody Help Us” – My Fun
9. “Hey” – Mark Rushton
10. “My Bush in the Secret Life of Ghosts” – Prehab
11. “Not Enough Africa” – Ego Response Technician
12. “Helping (Help Me Somebody Remix)” – doogie (more…)
09/03/2006
To american dub producer and musician Slade “Burning Babylon” Anderson reggae in his begginings reggae was just a side thing. He started his musical career by playing guitar in punk/metal bands like The Straw Dogs and The Freeze, where he builds himself in solid guitar player. But when he, in mid 90’s, swiched the guitar with bass, and punk with reggae the remarkable part of his career begins. With his first album “Roots and Heavy” from 1999. Slade tried to imitate his idols, King Tubby and Mad Professor, in his own way, as well as his nationales Thievery Corporation, in which he succseeded. Next album, “Garden of Dub” from 2001. passed even better, as it comes with remarkable cover of Clash’s “Bankrobber” and few hits made on his own, “Into Twilight” and “Dub of Thieves”. Following year he started to work with excellent english dub/roots label & distribution Tanty for which he publishes a maxi single “Dub Shack”, as well as he contributes to their compilation “Roots of Dub Funk” vol.3 with song “Living Soul Dub”.
A Night at the Hip-Hopera, by the Kleptones, is the best mash-up I’ve heard, at least since Strictly Kev’s Raiding the 20th Century. (The Disney Corp. is taking legal action to suppress Hip-Hopera; the Kleptones are no longer allowed to host the mp3s on their own site. But they list other sites that carry the files; these won’t go offline until Disney gets around to contacting each of them individually with cease-and-desist orders. And if these don’t work, Google has a lot of links to it too).
A Night at the Hip-Hopera consists of music by Queen (whose copyright is owned by Disney, hence the cease-and-desist orders), together with vocal tracks taken mostly from various hip hop artists (both current and old skool, ranging from Afrikaa Bambaataa to Vanilla Ice to the Beastie Boys to Grandmaster Flash to Dilated Peoples to Missy Elliott) together with a few non-hip-hop bands (Electric Six, Morris Day), plus a montage of soundbites from (real and fake) news broadcasts, interview tapes, and old low-budget SF movies (not to mention attacks on copyright law and exhortations in favor of piracy/sampling/remaking). (There’s a fairly complete list of sample sources here).
Artist: Â Â Â Â ABSTRACT FUTURE
Title: Â Â Â The First Theory
Label: Â Â Â Magnolia Digital
Cat No: Â Â Â MAG 008
Format: Â Â Â 192 mp3, 320 mp3, wav
Released: Â Â Â 19 September, 2006